Showing posts with label Porter. Show all posts
Showing posts with label Porter. Show all posts

Sunday, 25 November 2012

Event | In Conversation


 


In addition to the solo exhibition "Viewing Platforms" opening this Thursday, at Edmund Pearce there will also be an informal "In Conversation" between Kristian Haggblom and Louis Porter on Saturday, December 1 from 2pm. 

This is a good chance for people to further understand the work in the exhibition and other projects through Haggblom and Porter's dialogue and there will be opportunity for questions from the audience. For more information on the exhibition visit: http://edmundpearce.com.au/

In Conversation Haggblom & Porter
Viewing Platforms
December 1, 2pm
Exhibition runs Nov 28 - Dec 15

Edmund Pearce Gallery
Level 2, Nicholas Building
37 Swanston St.
Melbourne

The gallery would appreciate if people RSVP through their Facebook event.
 
kristianhaggblom.com
louisporter.com

Monday, 11 June 2012

Curatorial Detail & Preview | Louis Porter






Louis Porter is originally from England but now enjoys roaming suburban Melbourne with his Mamiya 7 and a plastic bag. I have been following his work for some time and he was an obvious choice for __on this site Victoria: Kororoit Creek project. I would call Louis a hoarder, not only of images, but also lists, discarded notes on paper, vernacular photography and whoopee cushions. Of the eight participants working on the project there has been an obvious divide of approaches. Without going into too much detail, basically these have been a direct photographic engagement with the creek or that of the collector; in archives, on location or returning to the studio with found objects.

Louis has worked with the latter approach. In fact, although it doesn’t feature, he actually found a $100 note that was hardly recognisable. He exchanged this for a crisp new one at the bank and bought a bottle of champagne (or should I say sparkling white?) to celebrate an anniversary with his partner – money well spent! This is one work from the triptych he has created. I can’t help but wonder if the moccasin had such an iconic status in England as it did when I was growing up in the western suburbs of Melbourne?







And yes Mr. Crawford, I agree: "…Porter photographs suburbia like an antipodean David Lynch." (from The Age)

For more information visit Louis Porter's website