German photographer Mirko Martin spent time in LA staking out film sets to secretly shoot for this and other projects. The resulting images seamlessly blur the line between fiction/fact choreography/documentary. Who is responsible for these realities; film directors, set builders, the populace of hyper LA or Martin himself? It really doesn't matter - this is an amazing publication. First published in 2008 for an exhibition at the Museum Goch.
Other projects can be seen at his website: http://www.mirkomartin.com